I'm reasonably certain that this uploaded correctly.
This is the audio clip that Kevin McAleese sent me, his interpretation of the ideas from the script/my comments on the tone of the piece. I told him i was happy from 34 seconds onwards but the beginning wasn't great, the piano is too obvious and lacks subtlety. I sent him Trent Reznor's soundtrack for The Social Network, i wanted more techno/electro keyboard. In my eyes electronic keyboard has replaced the violin as the means of scaring audiences, for example strings played a major role in the score of Jaws. However when the piece starts to pulse from 34 seconds onwards it becomes much better. I use the word pulse because it feels like Calum's heartbeat, something i told Kevin to accentuate, especially when the film reaches its final stages and the tension is upped. Long story short, great place to start - i'm expecting a redrafted piece by the end of the week. I sent Kev an e-mail with specific songs to listen to for ideas so hopefully his vision will be refined.
Im going to listen to Trent Reznor's band Nine Inch Nails for ideas. They released an album specifically for filmmakers to use for films so i'll probably start there.
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